Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features.
By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!
If you have any problems with the registration process or your account login, please contact contact us.
| 
12-13-2011, 11:12 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,835
| | Using Improv to Learn Fretboard Hey Everyone,
Just wanted to pass along a new lesson I published this week. I've been getting a lot of questions recently about learning note names on the guitar, so I put together this article talking about improvisation exercises that I like to use when learning note names. Constructive Noodling: Using Improvisation to Learn the Guitar Fretboard | MattWarnockGuitar.com
Check it out, thanks! | 
12-14-2011, 02:57 AM
| | Moderator | | Join Date: Aug 2011 Location: The Netherlands
Posts: 210
| | We'll check it out. Thanks Matt. | 
12-14-2011, 08:15 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,835
| | Thanks Franklin! | 
12-14-2011, 10:25 AM
| | | | Join Date: Dec 2007 Location: Qc.
Posts: 126
| | Matt,
This is exactly what I wanted to practice in the Christmas break from my guitar lessons.
Thanks a lot, very interesting and fun way to do it !!! | 
12-14-2011, 10:28 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,835
| | Cool, glad you dug the article! It's a subject that I get asked about probably more than anything else so I thought it was high time I wrote an article about it. | 
12-18-2011, 01:06 AM
|  | | | Join Date: Dec 2010 Location: Placerville, CA
Posts: 1,932
| | Great ideas, Matt. That's much like what I do every day to warm up with a drum machine/metronome. I limit myself to a set of strings (usually high, mid, or low) and play horizontally up/down the neck working out lines and motifs freely all in one key or mode. Then I switch tempo and/or time signature and key/scale and go again. I try to think outside "boxes" and strict positions and let the lines roll over the bar lines (without ever losing sight of the downbeat). I've been especially focused on phasing lately...
Keep up the good stuff! | 
12-18-2011, 08:19 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,835
| | Thanks, yeah those are great ideas, anytime you get outside of boxes and patterns it's a great way to open up the neck and take your playing in new directions. | 
12-18-2011, 09:32 AM
| | | | Join Date: Jun 2011
Posts: 97
| | Hi Matt,
Another great article! I have been working on chromatics and non-position playing, so I tried this exercise with some chromatics added to the arpeggios........very freeing! Thx! | 
12-18-2011, 09:34 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,835
| | Thanks man, yeah these exercises can be expanded in a lot of different directions, adding chromatics is a great way to take these ideas to the next level. | | Thread Tools | | | | Display Modes | Linear Mode |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |