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11-04-2011, 04:55 PM
| | | | Join Date: May 2011
Posts: 167
| | What is there to do for a jazz musician to make a living nowadays? To make a living and career with music, what can a jazz musician do? Just out of curiosity, my plan is to study jazz at uni (college), some people I know doing that are also doing gigs and such at the same time, but after that what can a jazz musician do? I definitely want to make music my career but I don't know exactly what I can do. Also if anybody who's been through that has any tips it would be greatly appreciated, cheers  | 
11-04-2011, 05:32 PM
|  | | | Join Date: Dec 2010
Posts: 1,347
| | A lot of jazz musicians are good typists or have a lot of experience pulling espresso.
__________________ "If a blind man leads a blind man, both will fall into a pit." | 
11-04-2011, 05:40 PM
|  | | | Join Date: Feb 2010 Location: Morro Bay, Ca
Posts: 180
| | There are always burgers that need flipping...
For the record, I've been considering going back to school for music. It would be purely for the education and enjoyment of it, though. I'm sure I'll still be building homes and doing guitar tech work to pay the bills. | 
11-04-2011, 05:50 PM
| | | | Join Date: May 2011
Posts: 76
| | Elderly Inst. has bumper stickers - " Real Muscians Have Day Jobs ". | 
11-04-2011, 06:06 PM
| | | | Join Date: May 2011
Posts: 167
| | Quote:
Originally Posted by morroben There are always burgers that need flipping... | Yes everybody, that's what my worry is. What are music related jobs for a jazz musician to make a living playing music? While no doubt I'll end up flipping burgers by day and doing the little order voice box at maccas by night that's not what I'm aiming for. | 
11-04-2011, 07:00 PM
| | | | Join Date: Sep 2009
Posts: 186
| | The stark reality is that the supply exceeds the demand.
I guess that's why you've got to really love it to put in the time to play it.
I went to music school to study jazz and classical guitar and wouldn't exchange that experience. Its given me a lifetime of things to study and really accelerated my musical growth.
When I was young and single, I didn't mind paying my dues, driving a humility mobile, and living in a roach motel. Getting married somehow changed that. I got a day job - BUT kept plowing the music field too. Its give & take - seasons with more music, and seasons with less.
Instead of flipping burgers, go after a job that may give you a better standard of living. Eight hours is eight hours, whether you are flipping burgers or working in technology. But one pays a lot better than the other - and you ultimately get to lay hold of some better gear.  | 
11-04-2011, 10:09 PM
|  | | | Join Date: Oct 2009 Location: East of Eden
Posts: 1,783
| | You could move to some of the busiest jazz cities in the world, and you still wouldn't be able to make a living performing jazz. It would be easier to move to Hollywood and be an actor. | 
11-04-2011, 10:13 PM
| | | | Join Date: Mar 2011
Posts: 109
| | It largely depends on the area you live, but from my research and observations(I know a lot of professional musicians) it is generally not as bleak as people make it seem. Most pro musicans ive talked too actually have to turn down tons of gigs. The only catch is, you have to be willing to work your ass off. Most musicians either can't (family restraints etc) or aren't willing to put the time in necessary to make it happen. There's gonna be a few years of 8+ hours practice a day, plus hours to arrange each gig, promotion etc. (I'm just now starting to get going myself, today I spent 3 hours just calling people to get everything straight for a gig later this month) If you want it bad enough you can make it happen, don't let people tell you otherwise. You just gotta decide if you are willing to make the sacrifices necessary. Kiss your social life goodbye. | 
11-04-2011, 10:58 PM
| | | | Join Date: May 2011
Posts: 167
| | What social life? I'm spending all my time in the woodshed anyway. Next holidays I might do the Bird 16hrs a day woodshedding... maybe. I know musicians who need to turn down gigs too but it seems it's because every Friday night they can only do one gig and nobody's looking for them on a Tuesday. Of course if it's practicing it doesn't feel like work and any pre-gig organizing I've had to do hasn't been bad as the pre-gig excitement keeps me motivated and the post-gig perks pay off. So essentially I get what you're saying and I think I'd be fine to do all that. But to make a living, what are specific things to do, to work towards etc? | 
11-04-2011, 11:39 PM
| | | | Join Date: Mar 2011
Posts: 109
| | Get reallllllly fucking good. Learn tons of songs, aim for one a week. Make connections. Get your face out there, let people know what you are doing. I still have a long way to go myself, but im doing well considering how long ive been playing jazz, and ive done a lot of research. The thing all the greats have in common is that they worked hard as hell and played with as many people as they could. | 
11-05-2011, 04:15 AM
|  | | | Join Date: Feb 2011
Posts: 177
| | Here's an answer that might help, even if its not what you might be expecting.
In college I majored in music composition, the one major with possibly even lower potential for leading to a job than studying jazz. I played guitar in the jazz big band, and even got to write a few charts that we took and played in some of the local clubs. At the time I had no idea how I 'd make a living, but music was what I wanted to study.
After graduating, I moved to LA (on the advice of my composition teacher). Within a year I was working for a record company, the distributor at the time for Verve Records. The work was in sales, not directly related to performing, but I got to hear (and in some cases meet and hang out with) a lot of great, top musicians. I also met a lot of local guys, some of whom I ended up playing gigs with.
After 10 years I went in a completely different direction, working in high-tech. But luck crossed my path there, in part because of my musical education, and now I work mainly on a successful music software program. Again, I'm not playing for a living, but it uses my musical knowledge and keeps me in touch with music-minded folks, while paying the bills.
So if you want to study music badly enough, I say go for it. Your life will find a way (that you probably won't see in advance) of pulling you in the direction of what you love. | 
11-05-2011, 05:12 AM
|  | | | Join Date: Aug 2008
Posts: 677
| | Quote:
Originally Posted by SammieWammie To make a living and career with music, what can a jazz musician do? Just out of curiosity, my plan is to study jazz at uni (college), some people I know doing that are also doing gigs and such at the same time, but after that what can a jazz musician do? I definitely want to make music my career but I don't know exactly what I can do. Also if anybody who's been through that has any tips it would be greatly appreciated, cheers  | Good question. Jazz has not been popular for about 50 years. 50 YEARS!!!!
When is the last time you heard jazz on the pop radio stations?
So major in something else more useful. Play jazz/take lessons on the side. Weddings during the open bar period, senior citizen centers, bars after 9 PM, etc.
How's that sound? Pretty cool right?
__________________ "As for me, all I know is that I know nothing." - Socrates
Last edited by Drumbler : 11-05-2011 at 05:40 AM.
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11-05-2011, 06:13 AM
| | | | Join Date: May 2011
Posts: 167
| | Jazz may not be popular outside the jazz world but big artists still alive still do sold out shows. And if I'm looking to be a musician in general, jazz is probably the most useful thing to master, a jazz musician could no doubt pull of a blues or rock or pop song but a blues or rock or pop musician couldn't pull of a traditional jazz piece. My experience is that jazz musicians I know well can and do play other genres better than people who solely play those genres. After studying a bit (lot) of jazz myself my abilities in every part of musicianship and my technique I can think of have gotten unbelievably better, and I'm not a particularly good jazz player yet. As for the last time I heard jazz on pop radio stations I heard Virtual Insanity by Jamiroquai not long ago, although far from traditional jazz seeing as it's got some funk and soul mixed in, the harmony is very much jazz based. I should extend my question as well, what can a musician do to make a living in the general music world if this musician can play a variety of genres including jazz (there must be more opportunities for a good jazz/alround musician than a solely pop singer/songwriter like there are so many of in this world). | 
11-05-2011, 06:27 AM
| | | | Join Date: Mar 2011
Posts: 109
| | I think I misunderstood your original question. Are you asking what types of jobs you can get? (I thought you were talking about preperation at first) | 
11-05-2011, 06:38 AM
| | | | Join Date: May 2011
Posts: 167
| | I was originally asking what jobs one could get or schemes one could do to make it as a (jazz) musician. Then once I have an idea of that I can think of specific things to achieve that. Of course to call yourself a jazz musician you need to be reallllllly fucking good as you said, and I'm working on that all the time, working on making connections, working on getting my music out there, working on my 2nd Bird head (the B section of Confirmation is a bitch), working on improvisation etc. | 
11-05-2011, 06:40 AM
|  | | | Join Date: Jun 2008 Location: Antigonish, Canada
Posts: 1,074
| | my career is as a Jazz Musician, my job is a Jazz educator/
my career hasn't done much in the last 3 years. my job is amazing. I have a car that works, an apartment to myself, I get to play the music I want to and don't have to compromise myself by taking gigs I don't want to take or play with people I don't want to play with.
I an a rare individual that I get to do this because of my job where I go to work every day and play guitar all day, talk about music with exciting people and young men and women who want to know more. I get to go home and practice or work on whatever I want to because I don't have to hustle gigs. But i make long term goals and have accomplished nearly all of them thanks to my Job... a job i take very seriously and am passionate about... and a job I'm lucky to have.
The very intellegent, or business savy people can make a living off just playing Jazz. They also have to be in the very elite in terms of their ability to play. Going to school for music can assist you in that process, but really it's all on you, the individual how good you get as a player/writer and that for the vast majority a life as just a player is something most will never acchieve, and that really actually is more then just a jazz thing, that is most styles of music.
tl.dr
musicians life is hard, it's not for everyone. you need a fall back plan, come at it with open eyes and you'll get by. | 
11-05-2011, 06:41 AM
| | | | Join Date: Jun 2011
Posts: 918
| | You might go to a school and major in Getting Famous.
You could sell a kidney. Make sure you get a good deal though, you're only going to want to do this once.
Attitude is very important. Many great jazz musicians will accept being poor on the way to becoming well known. After they're well known, this attitude helps because they still remain poor.
Retail and service industry are good training for surviving on the pay scale of a decent jazz gig. Have you ever fasted? I find that's good training for surviving on the take home pay after carfare and parking fees.
Girlfriend? What do you call a jazz musician without a girlfriend? ... homeless.
Now if you're a good improvisor, you'll think outside the box. Maybe you could get a job part time as a poet on an independent cable news channel.
Have you thought about being one of the top 1%? That would answer your question quite nicely. It works for them.
Hmmm, those are the best prospects and secrets I can think of. Please don't spread the word around too much, competition is tough enough as it is!
David
Last edited by TruthHertz : 11-05-2011 at 08:26 AM.
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11-05-2011, 06:44 AM
| | | | Join Date: May 2011
Posts: 167
| | Hahahahahahahahaha! Brazil... | 
11-05-2011, 06:51 AM
| | | | Join Date: May 2011
Posts: 167
| | That video has a lot of great points. "Waffles will make you famous." I know what I'm going to be eating for the next few years... | 
11-05-2011, 07:08 AM
| | | | Join Date: Jun 2011
Posts: 918
| | Quote:
Originally Posted by SammieWammie That video has a lot of great points. "Waffles will make you famous." I know what I'm going to be eating for the next few years... | Berklee caf has a kick ass waffle maker. Remember that if you're debating the merits of applying there.
David | 
11-05-2011, 07:53 AM
| | | | Join Date: Jun 2010
Posts: 383
| | If you are thinking about doing this, remember that you have to have multiple income streams. You can't survive on gigs alone. As SSSwung said, you can get a million calls for a gig Friday night, but guess what? Friday night you can only be in one place!
What do you do the other 6 nights of the week? Here are some thoughts... 1.) Teach. 2.) Write a book. 3.) Record a CD to sell. Want to know the kicker? All of those options are just as unstable as gigs! LOL. You can book lessons and the student doesn't show, or pays you with a hot check, you can write or record and nobody buys it!
The folks that do this sucessfully are few and far between, but there are some. It is the same with any field. If you wanted to be a Financial Advisor, or sell Insurance I would tell you the same thing, "Go for it, but have a solid business plan before you do and understand the risks. " | 
11-05-2011, 08:02 AM
|  | | | Join Date: Jul 2008 Location: San Diego
Posts: 2,968
| | Go to nursing school.
It's common for a nurse to work three consecutive days a week, 12 hour days, full benefits, pretty good pay, honorable work. Work Monday Tuesday & Wednesday, spend the rest of the week being a musician. | 
11-05-2011, 08:39 AM
| | | | Join Date: Feb 2009
Posts: 37
| | I figured I'd chime in on this subject. I went to the Atlanta Institute of Music, and made my living as a guitar player in the Atlanta area for a year. That city has a lot of music to go around, and it wasn't hard to pay bills with gigs, teaching, etc. However, I moved back to California(where I'm from) a few years back, and am just now finding enough "ins" to be able to support myself. For a while I was a dishwasher. But I met the right people and I gig now on average 3 nights a week, and balance having students on Saturday mornings. In order to make it work for you you need to balance having a few sources of income. I teach students on the weekends, gig on the weekends, and host a jam night at a local bar every other Wednesday. Now I'm not playing a ton of jazz gigs. The majority of my gigs are with a top 40 cover band, but I am able to pepper in a few latin jazz gigs on occasion. I am still going to school though, working to get my degree in Music Education, where I can hopefully get a job as a high school band director and then go back and work on getting my Master's degree.
Basically, it's a really tough life. I have my anniversary coming up in a few weeks with my girl, and guess what, I had to book a gig that night to make ends meet for the week. She understands, but I would have rather not worked that day. Working a lot of different things in music can be quite draining, but if you really love it go for it. If you are passionate enough about doing it you can make it happen. When you get to school you just need to talk to the right people, and get working doing this stuff as soon as possible. | 
11-05-2011, 08:40 AM
|  | | | Join Date: May 2011
Posts: 36
| | I was studying jazz in college and was hemming and hawing on whether that was what I wanted to do with my life and someone gave me some good advice:
"If you have to think about it then maybe it's not for you. If it is a compulsion and you can't see yourself doing anything else then there is your answer"
So I switched my major to Economics and I still love playing music as much as I did when I was 14 and just starting out. My friends that do it full-time have come to think of it as a job. | 
11-05-2011, 10:14 AM
|  | | | Join Date: Dec 2010
Posts: 1,347
| | For what it's worth, I started giving guitar lessons professionally, out of high school (in 2002) and I've been doing only that ever since and it's worked really well for me. I haven't gone to college. I don't work for a company, it's just me (I can link to my website via pm if anybody is interested; I fear googlebots on this forum) and I've made a good living only working 25-30 hours a week or so.
However, I'm in the minority. I enjoy teaching beginners, I seem to have a knack for it and I get the vast majority of my clients via word of mouth. Being reliable, responsible, and personable has helped probably more than any musical skills.
If I struggle I can get two hours a day to practice amid teaching, emailing parents, setting up lessons, grocery shopping, etc, but even that doesn't often happen. I'm applying to school for fall 2012 so i can get more time to play, practice, learn, and I think the likely scenario is that when i'm done with school I'll simply still be teaching but have more gigs. Better case scenario is that I can teach who I want and when I want but have more high profile gigs (or higher profile teaching jobs) to make up my income.
For me I know teaching is probably more financially promising than gigging, so the decision to go to school is definitely going to be a few steps backwards financially, but I figure it's worth it because I want to play music instead of always just showing other people how to play music.
__________________ "If a blind man leads a blind man, both will fall into a pit." | 
11-05-2011, 11:01 AM
|  | | | Join Date: Oct 2009 Location: East of Eden
Posts: 1,783
| | There are over 10,000 qualified guitarists trying to get one of the 1000 full time opportunities that are already filled....that's the reality. Jazz is played for love of the music. Remember, you are competing with folks that will play for free, because they love it so much.
I get a kick out of young single guys still living with mom and dad advising that it can be done. There are guys out there that can play as good as Wes, Metheny, Scofield, and even they can't do it. You can tell who's full of shit, they're the one's suggesting it's possible. Even the rare ones that do make a living totally from music will tell you it's not secure in any way, and you'll spend most of your time doing things other than performing.
Get a job at Guitar Center, teach some lessons and play some weddings. | 
11-05-2011, 11:06 AM
| | | | Join Date: Feb 2009 Location: Salt Lake City
Posts: 348
| | Quote:
Originally Posted by JakeAcci A lot of jazz musicians are good typists or have a lot of experience pulling espresso. | I think this is my favorite one so far!
You guys are harsh ... but fairly accurate. "Making a living" is a vert relative thing, of course; it sounds like the OP is a young student, so he probably hasn't thought much about the "lifestyle" aspects of a music career, or other future plans (i.e., family, vacations, home, college for the kids, health insurance, etc.). I like the idea of being a music educator, but of course those jobs are hard to get, too, and the arts are always the first to go in a school district. A friend of mine is one of the best woodwind players in the San Francisco area, and he hustles day and night to make money. He's fortunate, though, to have a great wife with a great job, so the pressure's not too bad.
Hal Crook, music educator/performer extraordinaire, writes about careers in his excellent book, "Ready, Aim, Improvise!" and he basically says (paraphrasing here), "If there's anything else you can do for a career, do it, and play jazz on the side!"
I'm a psychologist by day, but musician for life (I have a music degree, and then got a PhD in psych), and I love studying jazz and performing whatever kind of jazz I want, without pressures or dance requests or "Freebird."
Hal also says, "If you feel you have to live and breathe jazz, then go for it. But neurosurgeons have more fun."
Marc | 
11-05-2011, 08:53 PM
|  | | | Join Date: Apr 2011 Location: Southern U.S.
Posts: 130
| | Speaking as someone who's been spending a lot of the last several months looking at colleges, my advice is simple: Don't do music for a living. I forgot who said it, but I think it's very true. "If you want to play music for a living, don't. But if you have to play music for a living, it's the best job ever."
My band director said "If you really want to do music, study music education. It's the most available music-related job. The pay isn't great, but the hours are usually good and it's a fun job."
Me? I'm going to double major in music and a TBD "paying for food" degree. | 
11-06-2011, 02:33 AM
| | | | Join Date: Apr 2009
Posts: 653
| | Quote:
Originally Posted by SammieWammie I should extend my question as well, what can a musician do to make a living in the general music world if this musician can play a variety of genres including jazz (there must be more opportunities for a good jazz/alround musician than a solely pop singer/songwriter like there are so many of in this world). | "Stock" library/production music and "commissioned" music for media can be lucrative although I understand that these areas are as competitive as any other in music. The ability to rapidly and convincingly produce music in diverse styles - not just rock/pop/jazz styles - would help ... | 
11-06-2011, 02:37 AM
| | | | Join Date: May 2011
Posts: 167
| | What kind of diverse styles? Dubstep? I can't imagine a dubstep session guitarist, I could be wrong though. | | Thread Tools | | | | Display Modes | Linear Mode |
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