It looks like you are not yet registered with The Jazz Guitar Forum. Click here to register, it's easy, fast and free!

The Jazz Guitar Forum

Go Back   The Jazz Guitar Forum > The Jazz Guitar Forum > Comping, Chords & Chord Progressions

Jazz Guitar Gazette Premium


Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features.

By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please contact contact us.

Reply
 
LinkBack Thread Tools Display Modes
  #1  
Old 04-09-2010, 10:44 PM
 
Join Date: Apr 2010
Posts: 1
Joe Pass Joe Pass Chords

I have a query about the book Joe Pass Guitar Chords. I understand it is primarily an eartraining book and chords are not identified by name. The major chords are forms of Cmajor and can be used in place of any C majors. The seventh chords seem to be G sevenths. Should they be played in place of G or C sevenths?, Or are all the chords in the book to be used instead of the relevant C chord?
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #2  
Old 04-10-2010, 02:42 AM
merseybeat's Avatar  
Join Date: Mar 2008
Location: Saudi Arabia
Posts: 443
Default

Hi, its actually a lot simpler than it seems! Your assumption is perfectly correct! However care must be taken when altering Major, Minor or Dominant! It all depends on what you are trying to achieve!
I use these examples to create a sense of movement over a static chord (or one that lasts for say a bar or more).

Eg a D7 chord can have a sweet movement of its own (This is a fairly simple example), D7 - D7#9 - D9 - D7b9 - D7



--------------------------------------------
----7---6---5---4---3----------------------
----5---5---5---5---5----------------------
----4---4---4---4---4----------------------
----5---5---5---5---5----------------------
--------------------------------------------



You have probably heard this a thousand times!

I dont consider 4 different chords here, to me they are all D7.

Remember though, care should always be taken not to clash with the main harmony (Except when you have the chair!)

Hope this helps

Eddie
__________________
Striving for one "right" note
http://teamaudio.co.uk/
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #3  
Old 04-10-2010, 11:16 AM
 
Join Date: Oct 2008
Location: Poconos,Pennsylvania
Posts: 1,511
Default

I have enjoyed this book since I got it a few years ago...

after some time you should be able to construct some of your own..

time on the instrument...pierre
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #4  
Old 04-10-2010, 01:41 PM
 
Join Date: Mar 2010
Posts: 1,098
Default

if i remember correctly the book shows major sounds, minor sounds, dominant sounds etc. giving examples in concert key (the key of C) is simply a common pedagogical practice.

so you are supposed to interpret the harmonies functionally (that is, as I, II, V chords etc). Key is not important.

The purpose is to learn the "sounds" (i.e. voicings/grips) and them apply then to tunes in a functionally correct way.

does that make sense so far?

PS. I analyzed the voicings and jotted down the chord qualities in my copy of the book. Example G13, or G13b9 etc. You should do the same.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
Reply


Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are On



Powered by vBulletin® Version 3.6.3
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.
SEO by vBSEO 3.2.0 ©2008, Crawlability, Inc.
Copyright © 2006 Jazzguitar.be