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Play What You Hear Guitar Course


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  #31  
Old 12-07-2011, 10:40 AM
BigDaddyLoveHandles's Avatar  
Join Date: May 2009
Location: Kelowna, BC Canada
Posts: 4,233
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Quote:
Originally Posted by CactusTone View Post
Any suggestions on harmonizing the Melodic Minor scale with drop 2 voicings?

Some of the voicings are pretty difficult. e.g. III+(M7) on strings 1-4. The voicing with the 3rd in the bass reads from bottom to top: 3, 7, R, +5. With a Root of "C" that would be E, B, C, G#. Try grabbing that without rubber fingers! I've been replacing the root with the chord's 9th (D), which essentially turns the chord into an E7 (3rd relation substitution from parent scale). Is this the correct way to get around an unfriendly finger position? Are there any rules or guidelines to be followed in such instances? There are many fingerings in Melodic Minor that create difficult fingerings on all string sets. Looking for some advise!
Here are my usual suspects (all with that #5, of course).

9th chord, no root: xx2434
6th chord: xx2214 -- but that's harder to finger!
9/6: xx2234 -- coolest of the lot.

omit the root -- let the bassist handle it: xx24x4
triad -- xx2x14
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  #32  
Old 01-06-2012, 04:09 PM
 
Join Date: Jan 2012
Posts: 18
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Randy Vincent has two excellent books on drop 2 block chords and 3 note voicings.

Amazon.com: randy vincent
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