Quote:
Originally Posted by CactusTone Any suggestions on harmonizing the Melodic Minor scale with drop 2 voicings?
Some of the voicings are pretty difficult. e.g. III+(M7) on strings 1-4. The voicing with the 3rd in the bass reads from bottom to top: 3, 7, R, +5. With a Root of "C" that would be E, B, C, G#. Try grabbing that without rubber fingers!  I've been replacing the root with the chord's 9th (D), which essentially turns the chord into an E7 (3rd relation substitution from parent scale). Is this the correct way to get around an unfriendly finger position? Are there any rules or guidelines to be followed in such instances? There are many fingerings in Melodic Minor that create difficult fingerings on all string sets. Looking for some advise!  |
Here are my usual suspects (all with that #5, of course).
9th chord, no root: xx2434
6th chord: xx2214 -- but that's harder to finger!
9/6: xx2234 -- coolest of the lot.
omit the root -- let the bassist handle it: xx24x4
triad -- xx2x14