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01-16-2010, 03:51 AM
| | | | Join Date: Aug 2009
Posts: 91
| | comping for beginners hi guys
can you recommend any coursebooks, online articles, videos etc that teach about comping for beginners. I would like to learn what comping is all about.
any comments will be highly appreciated | 
01-16-2010, 04:24 AM
| | | | Join Date: Apr 2009
Posts: 633
| | consider Barry Galbraith's book "Guitar Comping" ... | 
01-16-2010, 04:54 AM
| | | | Join Date: Aug 2009
Posts: 91
| | Quote:
Originally Posted by Bill C consider Barry Galbraith's book "Guitar Comping" ... | thanks bill | 
01-16-2010, 05:06 AM
|  | | | Join Date: Apr 2009 Location: anchorage, alaska
Posts: 1,110
| |
__________________ "It is the mark of an educated mind to be able to entertain a thought without accepting it." -- Aristotle www.randalljazz.com | 
01-16-2010, 05:26 AM
|  | | | Join Date: Dec 2008 Location: Lurkers paradise
Posts: 389
| | I've had a hard time finding a good book on comping. All too many books are about voicings, but do not show how to use these voicings in actual comping situations. Other books is all about substitutions and reharmonization, but still say little about how to use all this stuff.
Andrew Green's book is the best I've seen, but still that is not satisfying in my opinion. When I get to the examples I can hear that they are cool, but I'm still left with quite a few "why is he doing that" questions.
Last edited by gersdal : 01-16-2010 at 05:28 AM.
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01-16-2010, 05:37 AM
|  | | | Join Date: Dec 2008 Location: Lurkers paradise
Posts: 389
| | I made this mind-map on my notes from studying comping some time ago. I hpoe that is helpfull. 
PS. I'd appreciate comments on the mind-map. | 
01-16-2010, 10:23 AM
|  | | | Join Date: Jul 2009 Location: Dover, NH
Posts: 121
| | Excellent mindmap! A very good summary of many possibilities.
Steve | 
01-16-2010, 12:00 PM
| | | | Join Date: Mar 2008 Location: Northern NJ
Posts: 2,804
| | Wow, looks good.
Where's the part that says you can go to the bar and get a beer while the sax player goes for his 17th chorus on "Body and Soul" ?  | 
01-16-2010, 12:10 PM
|  | | | Join Date: Dec 2008 Location: Lurkers paradise
Posts: 389
| | Thanks for your comment Steve. Quote:
Originally Posted by JohnW400 Wow, looks good. | Thanks. Quote:
Originally Posted by JohnW400 Where's the part that says you can go to the bar and get a beer while the sax player goes for his 17th chorus on "Body and Soul" ?  | It's indicated above "voiceleading"  | 
01-16-2010, 05:44 PM
|  | Moderator | | Join Date: Jul 2007 Location: KC area
Posts: 4,323
| | That is really cool, thanks for posting. What software created that? | 
01-16-2010, 07:47 PM
|  | | | Join Date: Apr 2009 Location: anchorage, alaska
Posts: 1,110
| | Quote:
Originally Posted by gersdal I've had a hard time finding a good book on comping. All too many books are about voicings, but do not show how to use these voicings in actual comping situations. Other books is all about substitutions and reharmonization, but still say little about how to use all this stuff. Andrew Green's book is the best I've seen, but still that is not satisfying in my opinion. When I get to the examples I can hear that they are cool, but I'm still left with quite a few "why is he doing that" questions. | brother gh, you have to do it to get it. 
__________________ "It is the mark of an educated mind to be able to entertain a thought without accepting it." -- Aristotle www.randalljazz.com | 
01-16-2010, 10:06 PM
| | | | Join Date: Jun 2008
Posts: 1,193
| | comp LOVE the mind map...brilliant!! It's nice to see innovative approaches to art.
Sailor | 
01-17-2010, 03:57 AM
|  | | | Join Date: Apr 2009 Location: anchorage, alaska
Posts: 1,110
| | the best guide to comping is to listen to great compers. red garland (and bill evans) on the 50's miles davis recordings; horace silver; wynton kelly and mccoy tyner with 'trane; hank jones anywhere; jimmy rowles on zoot recordings from the 70's.
__________________ "It is the mark of an educated mind to be able to entertain a thought without accepting it." -- Aristotle www.randalljazz.com | 
01-17-2010, 04:07 AM
| | | | Join Date: Jan 2010
Posts: 3
| | off your topic but any chance of telling me the software you used for the mindmap, my daughter was looking over my shoulder, ( cos not pos ) and thought it was in her words way cool.
thanks in advance
oldstevie | 
01-17-2010, 05:06 AM
|  | | | Join Date: Dec 2008 Location: Lurkers paradise
Posts: 389
| | Re program: I used Mind Manager ( http://www.mindjet.com/), but I do stick to version 3.5 because I can't make the mind maps like I want on newer versions. The new versions are cool too. | 
01-17-2010, 05:14 AM
|  | | | Join Date: Dec 2008 Location: Lurkers paradise
Posts: 389
| | Quote:
Originally Posted by randalljazz brother gh, you have to do it to get it.  | Thanks. Yes, I know Quote:
Originally Posted by randalljazz the best guide to comping is to listen to great compers. red garland (and bill evans) on the 50's miles davis recordings; horace silver; wynton kelly and mccoy tyner with 'trane; hank jones anywhere; jimmy rowles on zoot recordings from the 70's. | Agree! | 
01-17-2010, 06:56 AM
| | | | Join Date: Aug 2009
Posts: 91
| | Quote:
Originally Posted by bird.land | hi bird
thanks for recommendation
I read somewhere that in today's jazz people don't comp in freddie green style anymore. It was said that nowadays guitarists emulate pianists in their comping and comp in different way. Do you bird and the rest of you guys share this opinion? | 
01-17-2010, 10:04 AM
| | | | Join Date: Jul 2009
Posts: 223
| | Of course.
Fred Green did the straight 4's comping style, and you'll rarely see/hear guys do that anymore. It's all about jazzin' things up when you play jazz(lol). Which I interpret as just being creative and innovative each time you play. Funk the rhythm up, use dif. extensions, inversions, etc. | 
01-17-2010, 10:47 AM
|  | | | Join Date: Aug 2009 Location: Scotland
Posts: 30
| | Quote:
Originally Posted by rafapak hi bird
thanks for recommendation
I read somewhere that in today's jazz people don't comp in freddie green style anymore. It was said that nowadays guitarists emulate pianists in their comping and comp in different way. Do you bird and the rest of you guys share this opinion? | Yeah, people add/subtract notes and use different extensions but I feel that to get there you need this stuff as a foundation. I reckon this is a good building block and in the Video the guy points out that once you have the idea down you can come up with your own voicings.
He shows how the chords are made and how to give movement to the backup and suggests ways of altering the chords. Also, the dvd suggests ways of familarising yourself with the changes and how to make your backbeat more percussive.
Personally I found it to be a good launching pad. Good luck  | 
01-17-2010, 04:26 PM
| | | | Join Date: Jul 2008
Posts: 420
| | awesome mind-map
now all you need to do is put it on a website, make all the topics into links, and add lessons for each one. then you'd have the best ever comping website! | 
01-17-2010, 05:26 PM
| | | | Join Date: Jan 2010 Location: Broken Hill, Australia
Posts: 46
| | Hi Guys,
creating an unaccompanied piece for guitar from "The Real Book" is really tough. I have been struggling for months and often look back on my earlier efforts and cringe. I too, look at what others have written and think how the hell did they get that. It would be nice to have some hard and fast rules to start with before you get to the solo part. | 
01-17-2010, 05:26 PM
|  | | | Join Date: Dec 2008 Location: Lurkers paradise
Posts: 389
| | Quote:
Originally Posted by abracadabra awesome mind-map
now all you need to do is put it on a website, make all the topics into links, and add lessons for each one. then you'd have the best ever comping website! | Thanks for your comment. I'll think about it  | 
01-17-2010, 06:34 PM
|  | | | Join Date: Feb 2009 Location: New Mexico
Posts: 101
| | Quote:
Originally Posted by steev Hi Guys,
creating an unaccompanied piece for guitar from "The Real Book" is really tough. I have been struggling for months and often look back on my earlier efforts and cringe. I too, look at what others have written and think how the hell did they get that. It would be nice to have some hard and fast rules to start with before you get to the solo part. | You mean like chord melodies or just something interesting on guitar that goes with the changes? THere is the whole thread on chord melodies with lots of ideas | 
01-17-2010, 08:55 PM
| | | | Join Date: Sep 2008
Posts: 26
| | comping Two of my favorite books on comping,etc are Jim Ferguson's "All Blues for Jazz Guitar" and "Contemporary Chord Khancepts" by Steve Khan. There's enough stuff in there to keep you going for quite awhile. | | Thread Tools | | | | Display Modes | Linear Mode |
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