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12-09-2011, 11:06 AM
|  | | | Join Date: Jan 2011
Posts: 158
| | maj7b5 chords Hey,
anyone got any cool progressions using this type of chord?
Or any examples of how this chord would function in a progression? Could I use it any time for the 1 chord? or is it most commonly used on the 4 chord? | 
12-09-2011, 11:22 AM
|  | | | Join Date: May 2009 Location: Kelowna, BC Canada
Posts: 4,233
| | The b5 is probably a #11.
It's just a diatonic extension for a IV chord, so easy and "natural" in that case
... But I like using it for any major chord. Especially in the final chord:
xx5500
xx4311
xx3443
x77787
x67678
x55575
x43453
x32442 <--- CMaj7(#9, #11) Just let it float! | 
12-09-2011, 11:24 AM
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Posts: 158
| | just a quick and probably dumb question, but does "0" mean to play the open string? | 
12-09-2011, 11:26 AM
|  | Moderator | | Join Date: Apr 2007 Location: chicago, IL
Posts: 5,977
| | Yep, "0" is "open."
BDLH pretty much answered the same way I would...I try it anywhere I can on a major chord really...one of my favorite sounds. | 
12-09-2011, 11:29 AM
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Posts: 158
| | man these chords are BEASTLY im trying to disect all the other voicings! lol NICE bro thanks | 
12-09-2011, 11:30 AM
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Posts: 4,233
| | Quote:
Originally Posted by JazzFanatik just a quick and probably dumb question, but does "0" mean to play the open string? | Yes. I can't play that voicing without open strings unless it's way up the neck  | 
12-09-2011, 11:31 AM
|  | | | Join Date: May 2009 Location: Kelowna, BC Canada
Posts: 4,233
| | Quote:
Originally Posted by JazzFanatik man these chords are BEASTLY im trying to disect all the other voicings! lol NICE bro thanks | You're welcome. I really like x67678 myself. | 
12-09-2011, 11:32 AM
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Posts: 158
| | yeah dude what IS that chord i can't figure it out i been lookin at it for 10 minutes now lol | 
12-09-2011, 11:37 AM
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Posts: 158
| | and THIS bad boy??? x55575
what is THIS chord called? my GOD | 
12-09-2011, 11:48 AM
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Posts: 4,233
| | Let me spell those chords out. First of all, I made that progression up just for fun, by starting with a chromatically descending bass line (G down to C) and trying to keep the tops notes "In C". I figure that anything else in between would either work or be excusable.
xx5500 CMaj7
xx4311 F#Maj7#11
xx3443 Balt
x77787 Emin11
x67678 A13(#9#11)
x55565 Dmin11
x43453 G13(#11)
x32442 CMaj7(#9, #11)
There are many way to name those. I went for names with lots of #11, for the sake of the thread.
By the way, I originally played the Emin11 ... Dmin11 part like this:
x77787 x66676
x55575
But that was "too chromatic", so I changed it to stay in C on the top notes:
x77787
x66678
x55565
That's better, but the middle chord needs to sound "more dominant":
x77787
x67678
x55565
That's how I came up with that chord in the middle, by a process of tweaking.
Last edited by BigDaddyLoveHandles : 12-09-2011 at 11:51 AM.
| 
12-09-2011, 11:49 AM
|  | | | Join Date: May 2009 Location: Kelowna, BC Canada
Posts: 4,233
| | Quote:
Originally Posted by JazzFanatik and THIS bad boy??? x55575
what is THIS chord called? my GOD | Um, a typo.  I meant x55565, but you can keep the F# if you like it. (D11) | 
12-09-2011, 12:35 PM
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Posts: 158
| | lol i strangely DID like that chord...but good to know! LOL thanks | 
12-09-2011, 12:36 PM
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Posts: 158
| | Quote:
Originally Posted by BigDaddyLoveHandles Let me spell those chords out. First of all, I made that progression up just for fun, by starting with a chromatically descending bass line (G down to C) and trying to keep the tops notes "In C". I figure that anything else in between would either work or be excusable.
xx5500 CMaj7
xx4311 F#Maj7#11
xx3443 Balt
x77787 Emin11
x67678 A13(#9#11)
x55565 Dmin11
x43453 G13(#11)
x32442 CMaj7(#9, #11)
There are many way to name those. I went for names with lots of #11, for the sake of the thread.
By the way, I originally played the Emin11 ... Dmin11 part like this:
x77787 x66676
x55575
But that was "too chromatic", so I changed it to stay in C on the top notes:
x77787
x66678
x55565
That's better, but the middle chord needs to sound "more dominant":
x77787
x67678
x55565
That's how I came up with that chord in the middle, by a process of tweaking. | Thanks this is helpful so i can use these voicings again! | 
12-09-2011, 12:42 PM
|  | | | Join Date: May 2009 Location: Kelowna, BC Canada
Posts: 4,233
| | By the way, that min11 chord (x77787) is the "So What" chord:  | 
12-09-2011, 01:28 PM
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Posts: 158
| | yeah i was peepin that...didn't know wht it was called. now i do!  | 
12-09-2011, 01:48 PM
|  | | | Join Date: Dec 2010
Posts: 1,347
| | Inner Urge, Serenity, Jinrikisha, In your own sweet way, lots of Wayne Shorter tunes like Infant Eyes.
Maj7#11 is a real staple of 'modern' jazz compositions, I feel like most composers post-1960 had at least a few tunes with this chord in it. Then in the past few decades maj7#5 has become popular...
__________________ "If a blind man leads a blind man, both will fall into a pit." | 
12-09-2011, 01:50 PM
|  | | | Join Date: Dec 2010
Posts: 1,347
| | You can play moon river with IVmaj7#11 as the third bar.
I | vi | IVmaj7#11
__________________ "If a blind man leads a blind man, both will fall into a pit." | 
12-09-2011, 02:32 PM
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Posts: 5,977
| | Yeah, "Moon River" is one of those quintessential examples...it's the melody note on the first syllable of "wider." | 
12-09-2011, 03:52 PM
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Posts: 158
| | sweet thanks! | | Thread Tools | | | | Display Modes | Linear Mode |
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