What about the comping makes it perfect...
His use of lead lines... how he connects the changes
His rhythmic feel, how he implies time and then plays off what he sets up.
His harmonic approach, constant structure and pulling from MM.
His using the concept of building to the point of no comping. Might be more from setting up what's coming. Usually when you just simply keep playing through form... it can become old when the changes are somewhat harmonically full and use MI, along with harmonic rhythm having a mechanical pause. With trio setting, you really need to use all the arranging techniques, or can become tough on audience. With guitar it becomes even more difficult... less options. That's still a great tune... I'll try and call at tonight's gig...Reg |