Not bad. Before picking F7 as the second chord of that first bar, I was playing the Gbdim chord (although notating it at F#dim), same as my F7, except, of course the root is raised a half step and the chord name/sensibility changes.
I think you're right that Bb/F and F7 are what Porter is playing. I just stumbled onto subbing Em7b5 for the first chord of that bar, which sounds nice, but changes the sensibility from major to minor. And although the last chord really does seem to be F7, I really like what D7 does for the intro.
Thanks so much for your help.
Any other thoughts or suggestions, I'd love to hear 'em.
Cheers,
Ben |