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Play What You Hear Guitar Course


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  #1  
Old 06-23-2011, 11:30 AM
 
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Default Cool turn arounds

Got a nice one from KMan in the Flatout Interesting Chord Progressions thread but I didn't put the question in the right place so I thought I'd try it here. If you have some turn arounds you'd like to share I'd be greatful for a chance to learn some more.

Ron
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  #2  
Old 06-23-2011, 01:26 PM
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Go to the thread JonnyPac posted last night. I got some incredibly cool information and turn around's from this.
Good Luck.

http://www.jazzguitar.be/forum/impro...c-devices.html
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Old 06-23-2011, 03:37 PM
 
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Quote:
Originally Posted by brwnhornet59 View Post
Go to the thread JonnyPac posted last night. I got some incredibly cool information and turn around's from this.
Good Luck.

http://www.jazzguitar.be/forum/impro...c-devices.html
Thanks for posting this, I followed the link and there is one page #65 and that's it as far as I could tell. It didn't say much about chords or turnarounds. I'm missing something.

Ron
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Old 06-23-2011, 03:53 PM
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Follow the melodies and add chord variation. The melodies are based on the turnarounds which can be varied greatly. Look at the chromatic lines. I heard so many variations it was silly!!! Great stuff.
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Old 06-23-2011, 04:12 PM
 
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This is a cool sound one that Wes uses on Missle Blues:


G7 Ddim / C(D in bass) D7b9 / G7

The voice leading would be D F E Eb

Last edited by Kman : 06-23-2011 at 04:35 PM.
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Old 06-23-2011, 04:26 PM
 
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Quote:
Originally Posted by Kman View Post
This is a cool sound one that Wes uses on Missle Blues:


G7 Ddim / C(D in bass) D7b9 / G7

The voice leading would be D F E Eb
I like it. It has the same voice leading as the one I posted in the question

Ron
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Old 06-23-2011, 04:36 PM
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I like, E-7, A7b13, D-7, G7/G7b13, C

Or, E-7, A-7, D-7, Db7b5
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Old 06-23-2011, 04:41 PM
 
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I try to add dimished chords in there a lot.



quarter notes:

G7 G7 E7alt Fdim / A-7 C#dim7 D7b9 F#dim /

Last edited by Kman : 06-23-2011 at 04:49 PM.
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Old 06-23-2011, 04:52 PM
 
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Quote:
Originally Posted by brwnhornet59 View Post
I like, E-7, A7b13, D-7, G7/G7b13, C

Or, E-7, A-7, D-7, Db7b5
Oh man, that Db7b5 is SUCH a delicious surpirise after the straight minors. Makes it worth the wait.

Ron
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Old 06-23-2011, 05:03 PM
 
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Quote:
Originally Posted by Kman View Post
I try to add dimished chords in there a lot.



quarter notes:

G7 G7 E7alt Fdim / A-7 C#dim7 D7b9 F#dim /
These are great I'm getting an earection. Can you say that here?

Ron
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Old 06-23-2011, 05:09 PM
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LOL! Hey Ron, cycle those two lines together, they meld well. But when you do take the E-7 out of the 2nd cyle. So it is CM7, A-7, D-7, Db7b5. Start back on the E-7.

Last edited by brwnhornet59 : 06-23-2011 at 05:13 PM.
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Old 06-23-2011, 05:12 PM
 
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I'll give it a try and the thanks go to you and Kman.

Ron
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Old 06-23-2011, 05:13 PM
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=)
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