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06-23-2011, 11:30 AM
| | | | Join Date: Oct 2008 Location: Central New Mexico in the bottom of the Rocky Mountain chain.
Posts: 12
| | Cool turn arounds Got a nice one from KMan in the Flatout Interesting Chord Progressions thread but I didn't put the question in the right place so I thought I'd try it here. If you have some turn arounds you'd like to share I'd be greatful for a chance to learn some more.
Ron | 
06-23-2011, 03:37 PM
| | | | Join Date: Oct 2008 Location: Central New Mexico in the bottom of the Rocky Mountain chain.
Posts: 12
| | Quote:
Originally Posted by brwnhornet59 | Thanks for posting this, I followed the link and there is one page #65 and that's it as far as I could tell. It didn't say much about chords or turnarounds. I'm missing something.
Ron | 
06-23-2011, 03:53 PM
|  | | | Join Date: May 2011 Location: Ohio
Posts: 2,242
| | Follow the melodies and add chord variation. The melodies are based on the turnarounds which can be varied greatly. Look at the chromatic lines. I heard so many variations it was silly!!! Great stuff. | 
06-23-2011, 04:12 PM
| | | | Join Date: Aug 2010 Location: Fort Lauderdale, FL
Posts: 454
| | This is a cool sound one that Wes uses on Missle Blues:
G7 Ddim / C(D in bass) D7b9 / G7
The voice leading would be D F E Eb
Last edited by Kman : 06-23-2011 at 04:35 PM.
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06-23-2011, 04:26 PM
| | | | Join Date: Oct 2008 Location: Central New Mexico in the bottom of the Rocky Mountain chain.
Posts: 12
| | Quote:
Originally Posted by Kman This is a cool sound one that Wes uses on Missle Blues:
G7 Ddim / C(D in bass) D7b9 / G7
The voice leading would be D F E Eb | I like it. It has the same voice leading as the one I posted in the question
Ron | 
06-23-2011, 04:36 PM
|  | | | Join Date: May 2011 Location: Ohio
Posts: 2,242
| | I like, E-7, A7b13, D-7, G7/G7b13, C
Or, E-7, A-7, D-7, Db7b5 | 
06-23-2011, 04:41 PM
| | | | Join Date: Aug 2010 Location: Fort Lauderdale, FL
Posts: 454
| | I try to add dimished chords in there a lot.
quarter notes:
G7 G7 E7alt Fdim / A-7 C#dim7 D7b9 F#dim /
Last edited by Kman : 06-23-2011 at 04:49 PM.
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06-23-2011, 04:52 PM
| | | | Join Date: Oct 2008 Location: Central New Mexico in the bottom of the Rocky Mountain chain.
Posts: 12
| | Quote:
Originally Posted by brwnhornet59 I like, E-7, A7b13, D-7, G7/G7b13, C
Or, E-7, A-7, D-7, Db7b5 | Oh man, that Db7b5 is SUCH a delicious surpirise after the straight minors. Makes it worth the wait.
Ron | 
06-23-2011, 05:03 PM
| | | | Join Date: Oct 2008 Location: Central New Mexico in the bottom of the Rocky Mountain chain.
Posts: 12
| | Quote:
Originally Posted by Kman I try to add dimished chords in there a lot.
quarter notes:
G7 G7 E7alt Fdim / A-7 C#dim7 D7b9 F#dim / | These are great I'm getting an earection. Can you say that here?
Ron | 
06-23-2011, 05:09 PM
|  | | | Join Date: May 2011 Location: Ohio
Posts: 2,242
| | LOL! Hey Ron, cycle those two lines together, they meld well. But when you do take the E-7 out of the 2nd cyle. So it is CM7, A-7, D-7, Db7b5. Start back on the E-7.
Last edited by brwnhornet59 : 06-23-2011 at 05:13 PM.
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06-23-2011, 05:12 PM
| | | | Join Date: Oct 2008 Location: Central New Mexico in the bottom of the Rocky Mountain chain.
Posts: 12
| | I'll give it a try and the thanks go to you and Kman.
Ron | 
06-23-2011, 05:13 PM
|  | | | Join Date: May 2011 Location: Ohio
Posts: 2,242
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