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  #1  
Old 02-16-2010, 01:43 AM
 
Join Date: Dec 2009
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Default Ed Bickert's chords?

We all love Ed Bickert. I've been trying to dope out some of the chord forms he favors. I especially like the close-voiced chords. Does anybody have a line on some of them?
TommyD/
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  #2  
Old 02-16-2010, 06:39 AM
jeffstocksmusic
 
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There are a couple of nice transcriptions done by Nick Stasinos over at the Ted Forum. Link below. Enough in those pages to keep a normal human busy for a while!

..:: The Ted Greene Forums ::..
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  #3  
Old 09-07-2011, 11:50 AM
 
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Does anyone have any other examples of the specific voicings Ed used?
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  #4  
Old 09-07-2011, 03:27 PM
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He plays a lot of chord fragments.

Take a 5 or 4 note chord grip and grab only 3 notes of it. Leave out the bass note if it's a root for example.

Bickert plays with a pick and fingers. He grabs only 2 or 3 notes of the chord with his fingers.

He "infers" the underlying chord. Try it.
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Last edited by Drumbler : 09-07-2011 at 03:36 PM.
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  #5  
Old 09-08-2011, 09:17 AM
 
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Is it possible for anybody to post the transcriptions here that are on the Ted Green site. I'd like to have a look at them and they won't open for me. I'm surprised there is not more info on Ed's playing out there. He's a master of improvised chordal melody.

I'm working on one of his solos now (The Best Thing For You Would Be Me with Rosemary Clooney). It's almost all single note lines with a few 2 note chords (like Drumbler mentioned he uses small pieces of chords alot).
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  #6  
Old 09-08-2011, 09:22 AM
 
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YouTube Video
ERROR: If you can see this, then YouTube is down or you don't have Flash installed.


YouTube Video
ERROR: If you can see this, then YouTube is down or you don't have Flash installed.


Is this helpful? Lorne played with Ed, they share a similar vibe. I love Ed's playing too.
David
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  #7  
Old 09-08-2011, 10:07 PM
 
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Bickert is amazing in the way he improvises harmonized counter melodies behind a soloist using impeccable voice leading. I've copped a few things by ear and tried to make them my own. The Lofsky clips are interesting, thanks for linking. Here's a chord sequence I play from cribbing a few ideas from Ed.
Attached Images
File Type: pdf Bickert.inspired chords.pdf (256.4 KB, 102 views)

Last edited by AndyV : 09-09-2011 at 07:34 AM. Reason: graphic link wouldn't display properly
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  #8  
Old 09-09-2011, 10:11 AM
 
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Something is wrong with the link, Andy; there is nothing there???
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  #9  
Old 09-09-2011, 11:00 AM
 
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Also ... just came across this FYI ...

Jim Hall's site offers a rare recording of Ed accompanying Jim's vocalist wife Jane for download.

http://www.artistshare.com/projects/...&salesTypeID=6

Last edited by AndyV : 09-09-2011 at 11:05 AM.
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  #10  
Old 09-09-2011, 02:04 PM
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Quote:
Originally Posted by AndyV View Post
I changed the earlier jpg that wouldn't display to a pdf. It now displays and I did a successful test download. If it doesn't work still - email me and I'll send it. aevolk AT comcast DOT net.
Still doesn't work
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  #11  
Old 09-09-2011, 02:33 PM
 
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Here's an external link:

https://home.comcast.net/~aevolk/ima...red_chords.pdf
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  #12  
Old 09-09-2011, 02:34 PM
 
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Quote:
Originally Posted by TommyD View Post
We all love Ed Bickert. I've been trying to dope out some of the chord forms he favors. I especially like the close-voiced chords. Does anybody have a line on some of them?
TommyD/
I've been studying Ed Bickert allot over the years and I think that you will find the chord forms are not that special. It is really the chord phrasing that define his sound and the moving lines that often create the most interesting and tasty chords. The vibe seems to be in the rhythm of the phrases. Its all very mysterious.

It would be fun to share some transcripts of favorite Ed chord phrases from different tunes. Turnarounds are a good start.
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  #13  
Old 09-09-2011, 02:42 PM
 
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It's also the way he subs chords that give him that sound and the fact that he's unafraid to simply sustain a chord for several beats. He plays all sorts of cool little connecting melodies, voice leading dyads, low register stabs and grace note flourishes that are more like a pianist might think than the way a typical guitar player thinks. While his single line playing is fluid and creative, it somehow seems like a something of a let down compared to the majesty of his chord work.

Last edited by AndyV : 09-09-2011 at 04:42 PM.
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  #14  
Old 09-09-2011, 04:27 PM
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From watching youtube videos of Ed, he seems to have an extremely light touch. Do you think so, too?
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  #15  
Old 09-09-2011, 05:44 PM
 
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I agree. Definitely a light touch. I attended a Lorne Lofsky workshop last year and tried to squeeze some Bickert tips out of him. He demonstrated a few things, but I remember him saying, to get that "Ed" sound, he spent allot of time practicing chordal technique so that each note had the same volume. For what it's worth.
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  #16  
Old 09-09-2011, 06:56 PM
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Thanks guys. I've been trying to tear Bickert's chords apart since I first heard him but I've never been successful. I'll try some of the suggestions and see how they work.
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  #17  
Old 09-09-2011, 06:58 PM
 
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He played with pick and fingers. Mysteriously, he doesn't appear to use nails yet his sound is very even with notes played by the pick - as you noted - all at the same volume as the fingers.
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  #18  
Old 09-20-2011, 10:00 AM
 
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You can read a complete Bickert Interview here:
Voices in Jazz Guitar: Great ... - Google Books

It's very illuminating. Sadly, he seems to be a bit depressed, a common problem with aging folks in our society.

There's a fantastic real time transcription of Ed's performance of Lolipops & Roses on YouTube:

performance: Ed Bickert Trio - "Lollipops and Roses" - YouTube

transcription:Ed Bickert Trio - Lollipops and Roses - Guitar Transcription - YouTube

The clanging interval in the chord in bar 13 is really cool. I'm amazed that anyone who's not Tal Farlow could grab that chord on the fly. I had to move it to the inside string set to finger it. The tendon in my pinky still hurts from practicing it for 30 mins on Sunday! What would you name that voicing?
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  #19  
Old 09-20-2011, 12:06 PM
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Voicing -- C (add 4). (C sus4 would usually imply no third)

I would even cheat and finger it xxx560, but that's just me.
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  #20  
Old 09-20-2011, 12:17 PM
 
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Close but not quite the same level of clang. It becomes a moveable form if you finger it: xx10.9.6.x

Makes a nice voice led change to the Bb chord xx876xx ....

or extend to this progression in F ...

xx10.9.6.x

xx876xx

xx555x

(hammer on the F note )
xx556x
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  #21  
Old 09-20-2011, 06:30 PM
 
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Thanks a lot for those links Andy!!

Paul
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  #22  
Old 09-21-2011, 01:11 PM
 
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A friend of mine showed me this . This is a 1 - 6 - 2 - 5 in F:

XX1234 (F13#9)

XX556X (Dmin11)

XX444X (Btriad)

XX334X (C11#9)

XX001X (F6/9)

XX441X (D13)

XX331X (Gmin11)

XX231X (C7)


Someone more technically inclined might be able to name those better than I did. The first four especially. Playing a B triad for the 2 chord in F is different, but it's voice lead really well. The last part of the phrase (the last 4 chords) is one Ed used many times. Interesting that there are no roots in this.
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