Cool, I gave "All of Me" a listen. Good stuff. There are a few things that I would have done differently, but so what - it's a good arrangement.
Here are the things that I noticed:
m. 1 - I would have chosen a more interesing first chord. Maybe a 6/9 voicing.
m. 7 - Starting halfway through this measure, you harmonize it with a b5? I think of this chord as Dm7.
m. 9 - I would have harmonized that Eb with an F7. Since the voice is descending (E-Eb-D) my ear wants to harmonize it from above.
m. 11 - Why not use the open A?
m. 12 - Hmmm, wasn't expecting that F#, but I like it.
m. 13 - I would have harmonized that Bb with an Eb9.
mm. 25-26 - This is usually some kind of F6->Fm6 or F6->F#dim7. I'm not sure what you are going for in m. 25 (some kind of F reharm), but in m. 26 you are doing the F#dim7. If that is the case, I think that the root movement is so strong that I would want an F->F# in the bass.
m. 30 - You realize that you changed the melody on beat 3 from A to G#? Not a horrible sin - I've done stuff like that before.
m. 34 - Cool little lick caught me off guard.
As I said, nice arrangement. I can't find anything wrong with it per se, just a few comments. Keep up the good work.
Peace,
Kevin |