Here’s a comping exercise for a jazz blues in G.
Download the pdf here for easy printing.
Here’s a backing track you can use to practice:
The chords are pretty straighforward, some remarks though:
- Bar 5-6: there’s some contrary motion going on here. The bass goes from c to c# (upward motion), while the d of C9 goes to the c# (downward motion) of C#°7. Contrary motion in voice leading sounds nice.
- Bar 8: B°7 is the same chord as E7(b9), so the voice leading goes from #9 to b9 to the 5 of Am7.
- Bar 10: Sus chords are a nice way to delay and bring extra motion to dominant chords.
- Bar 11: G13/F is the 3rd inversion of G13, a very useful voicing.
- Bar 11-12: the first 3 chords are on the beat, while the last 2 chords are off the beat. This brings a feeling of forward motion to the comping.
- Bar 14: this is a common Em7b5 voicing (=C9), followed by a E°7 (=C#°7).
- Bar 16: some chromatic slides going on here.
- Bar 21-22: a Wes Montgomery style chord lick.
- Bar 25: the turnaround is repeated twice as a coda.
- Bar 30: the bass note g is played by tapping the note on the fret board with the index finger of the right hand.
Do you have any questions or thoughts about this jazz blues comping exercise? Share them in the comments section below.
To learn more about how to comp over a jazz blues, check out our latest ebook:
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