www.jazzguitar.be : your guide to jazz guitar





Jazz Guitar 101 Part 2: Arpeggio Shapes

The New Real Book Vol. 1


The New Real Book The new standard in jazz fake books since 1988
See more info...


Jazz guitar help  If you have questions, remarks or other feedback about this tutorial, discuss it at our jazz guitar forum.

For this second part of Arpeggio 101, I listed the arpeggio shapes for the main chord types: major, minor, dominant, m7b5 and diminished. Memorizing these arpeggio shapes can be a bit of a hassle, but it's important that you know them. Don't try to learn them all at once, give yourself the time and take it easy.

Must Read The arpeggios on this page are compulsory knowledge for every jazz guitarist.

In the following list I give you the arpeggios for specific chords, e.g. Am7, but remember that the shapes are movable (if this is not clear to you, read the end of Arpeggio 101 Part 1).

1) Arpeggio Shapes for Major Chords

Guitar Fretboard Legend : Root : represents the root or 1 of the guitar chord. The letter inside the box is the note name.

Guitar Fretboard Legend : Note : blue squares represent a chord tone other than the 1.

The number under the arpeggio diagrams is the fret number.

Chord: Gmaj7

Starting on the root or the 7:

Gmaj7 arpeggio diagram

Starting on the 3rd:

Gmaj7 arpeggio diagram 2

Also starting on the 3rd, but going in another direction:

Gmaj7 arpeggio diagram 3

Starting on the 5th:

Major arpeggio diagram 4

Starting on the 7 or the root:

Major arpeggio diagram 5

And here are two additional diagrams, where I play 2 notes per string. These patterns fall very convenient on the fretboard:

Major arpeggios

  Major arpeggio

2) Arpeggio Shapes for Minor Chords

Chord: Am7

Starting on the root:

Am7 arpeggio diagram 1

Starting on the 3rd:

Am7 arpeggio diagram 2

Starting on the 5th in two directions:

Minor arpeggio diagram 3

Minor arpeggio diagram 4

Starting on the b7:

Minor arpeggio diagram 5

And here are 2 additional 2 notes/string shapes:

Arpeggio diagrams

            Arpeggio diagram


3) Arpeggio Shapes for Dominant Chords

Chord: G7

Starting from the root:

G7 arpeggio diagram 1

From the 3rd:

G7 arpeggio diagram 2

From the 5th:

G7 arpeggio diagram 3

From the b7:

Dominant arpeggio diagram

And 2 additional 2 notes/string diagrams:

dominant arpeggios

dominant arpeggio



4) Arpeggio Shapes for Half Diminished Chords

Chord: Bm7b5

Starting from the root:

Bm7b5 arpeggio diagram 1

From the b3:

Bm7b5 arpeggio diagram 2

From the b5:

Bm7b5 arpeggio diagram 3

From the b7:

Half diminished arpeggio diagram

And the two additional 2 notes/string diagrams:

              Half diminished arpeggios

Half diminished arpeggio

5) Arpeggio Shapes for Diminished Chords

There are only 2 shapes (+ the additional 2 notes/string shape) for diminished chords, that is because diminished arpeggios are symmetrical: they are built exclusively with minor third intervals. You can move these arpeggios 3 frets up and down the neck and you will still play the good notes. This means G°7 = Bb°7 = Db°7 = E °7, so you can start this arpeggio on the 3rd, the 6th, the 9th or the 12th fret and you'll be playing the same chord.

Chord: G°7 (= Bb°7 = Db°7 = E °7)

G diminished arpeggio diagram 1

G°7 arpeggio diagram 2

And here's the 2 notes/string shape:

diminished arpeggios

Happy memorizing!

Click here to discuss this lesson at the forum

Back to Arpeggio 101 Part 1
Back to Guitar Lessons